The Embodiment of Beauty
I were keeping off the embodiment of “ugliness” all my life
— or, possibly I have to say that I had been desperately looking to encompass
“beauty.” I had visible objects and beings who, just by means of present,
motive satisfaction within the spectators. And to do that just through mere
life meant that the pleasure brought on became a classy, in place of a
practical or cognitive sensation. All my existence I had striven to apprehend
the character of aesthetic delight — texture, sound, coloration, shape,
architecture, movement, weight, velocity, mass, intensity, distance, density,
pattern, rhythm, business enterprise or the aggregate of all of the above — and
a way to reproduce it the usage of my own body. I desired to “be” beauty.@ Read More attractioner
Dancing (embodiment of lovely our bodies in movement),
appearing (embodiment of beautiful creatures who produce stylish gestures,
sounds, words and ideas) and fashion (material embodiment) all evidently drew
my attention. I remember starting to discover and analyze my own global of
aesthetics via sketches — no longer of objects or landscapes, however of human
beings, due to the fact my interest lay firmly in embodiment.
I played with costumes and built forts round myself, so
cautiously imagining how I (and my environment) regarded from the outside gaze.
I imitated every little gesture, posture, fashion choice or manner of speech
that prompted aesthetic pleasure in me. I consciously placed myself near
aesthetically desirable people, locations, and atmosphere. I became obsessively
touchy to stylish human beings, whether it be the manner they held themselves
or how they interacted (or did not interact) with their peers. I instinctively
knew there was some thing at the back of everyone that I nonetheless did not
fully recognize; something I even have not but embodied, when I noticed
something spell binding. But I was simplest able to imitating the observable,
often locating myself in a individual of totally fabricated, occasionally even
romanticized “intentions.”@ Read More thenytimesblog
It wasn’t until I changed into in my 20’s, when I located
someone so specific and astoundingly elegant, that I found out the truth of
foreign “intentions” — a non-self-pleasurable (selfless), object-oriented power
of curiosity. The dimensionality, range and spectrum of such alien philosophy…
And someplace amidst the gust of recent know-how, I had by some means abandoned
my primary hobby: aesthetic pleasure. In struggling to apprehend and, yet again
encompass this new, non-self-reflective perspective, I had lost all aesthetic
choice that I had so stubbornly clung to ever in view that I should keep in
mind. For me, selflessness supposed a void of aesthetic desire…I were keeping off the embodiment of “ugliness” all my life
— or, possibly I have to say that I had been desperately looking to encompass
“beauty.” I had visible objects and beings who, just by means of present,
motive satisfaction within the spectators. And to do that just through mere
life meant that the pleasure brought on became a classy, in place of a
practical or cognitive sensation. All my existence I had striven to apprehend
the character of aesthetic delight — texture, sound, coloration, shape,
architecture, movement, weight, velocity, mass, intensity, distance, density,
pattern, rhythm, business enterprise or the aggregate of all of the above — and
a way to reproduce it the usage of my own body. I desired to “be” beauty.
Dancing (embodiment of lovely our bodies in movement),
appearing (embodiment of beautiful creatures who produce stylish gestures,
sounds, words and ideas) and fashion (material embodiment) all evidently drew
my attention. I remember starting to discover and analyze my own global of
aesthetics via sketches — no longer of objects or landscapes, however of human
beings, due to the fact my interest lay firmly in embodiment.
I played with costumes and built forts round myself, so
cautiously imagining how I (and my environment) regarded from the outside gaze.
I imitated every little gesture, posture, fashion choice or manner of speech
that prompted aesthetic pleasure in me. I consciously placed myself near
aesthetically desirable people, locations, and atmosphere. I became obsessively
touchy to stylish human beings, whether it be the manner they held themselves
or how they interacted (or did not interact) with their peers. I instinctively
knew there was some thing at the back of everyone that I nonetheless did not
fully recognize; something I even have not but embodied, when I noticed
something spell binding. But I was simplest able to imitating the observable,
often locating myself in a individual of totally fabricated, occasionally even
romanticized “intentions.”@ Read More knowaboutanything
It wasn’t until I changed into in my 20’s, when I located
someone so specific and astoundingly elegant, that I found out the truth of
foreign “intentions” — a non-self-pleasurable (selfless), object-oriented power
of curiosity. The dimensionality, range and spectrum of such alien philosophy…
And someplace amidst the gust of recent know-how, I had by some means abandoned
my primary hobby: aesthetic pleasure. In struggling to apprehend and, yet again
encompass this new, non-self-reflective perspective, I had lost all aesthetic
choice that I had so stubbornly clung to ever in view that I should keep in
mind. For me, selflessness supposed a void of aesthetic desire…@ Read More bizautomotive
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